Title: The
boy & the lion
Year: 2013
Composer: Stelvio Cipriani
Another
Italian film music maestro still working today is Stelvio Cipriani.
Unfortunately his current projects are very hard to find any information about,
including the score we’re listening today: The
boy & the lion from 2013. Apparently it is a TV production, and based on
the track titles it tells a story about a friendship between a lion and a
child. The music really doesn’t represent the wide fields of Africa but rather
offers romantic fluff typical for the composer. The instrumentation includes an
array of 90s synth elements including percussion, guitars and panpipes which
hark back to a long gone nostalgic era. A small string section is also included
which provides perhaps the most emotionally moving performances on the album.
The weirdly
arranged album begins with 14 variations of the main theme. Usually this would
be a tiresome way to start off but luckily the varied arrangements are quite
lovely. The theme itself follows basic Cipriani harmonic structure but in the
age of lackluster modern film music it is a true delight to hear. Some of the
arrangements stand out more than others. The opening moves the melody nicely from
instrument to instrument: panpipes to strings, synth oboe to tinkling
harpsichord and so on while a cheesy drum beat rolls on underneath. Version 3 includes staccato lines from
the strings which flourish along with a sweet solo piano while Version 6 is a more straightforward
romantic string and piano duet with beautiful underlying harpsichord ostinato. Version 8 includes a new emotional
prelude which then leads to a full, mournful performance of the theme. The
problem I have with the string versions is that they sound just like demo
recordings of the string sections used in the preceding cues and hence don’t
work as well on their own because you’ve already heard how the experience is
heightened with the use of solo instruments.
The main
theme doesn’t fully disappear after those 14 cues but is featured later in Innocent joy which is a more mature
version of Version 8 because the main
theme sounds much older here when played by the low strings. Goodbye my friend is a full version of
the main theme prelude with tinkling, warm synth textures which later reprise
the theme as well as the ostinato. The beginning of the finale Across the land sounds pretty dated with
its pop-sensibilities. However a surprise addition of a solo (non-synthetic!) saxophone
appears out of nowhere and turns the track into something similar of Jerry Goldsmith’s The Russia house.
While not as great as that score, it is certainly a powerful yet cheesy end to the album.
The second
theme is called Lion’s waltz, a major
key melody which is quite childlike and innocent with its cute synth elements. It’s
a charming little tune but not as successful as the main theme. The same melody
is turned into Animal’s march which
is probably the most cheap-sounding cue of the score with horrendous synth drumkit
and keyboard sounds straight out of a 90s children’s TV show. Running is one of the more serious cues
on the album starting with the main theme ostinato but then developing into a
nostalgic new tune based on the chord structures of both the previous themes.
The end of the cue continues straight to
Playing in the sun which is another innocent, summery waltz track. The two Jungle life cues are first real attempts
of something exotic and wild with groovy basslines, tribal yet synthetic
percussion and ghostly panpipes in the first version. The second one has only
the percussion track and some soft synth pads which carry on tediously for 5
straight minutes. Eventually there are also some suspense cues like Fear in the jungle which quotes the main
theme briefly but then turns into a synth pad stinger and Hiding in the jungle with more tribal percussion.
The boy & the lion is a nostalgic trip through 70s
melodies and 90s TV score arrangements, an obscure combination with little to
no relevance to the assumed subject matter. Nevertheless I hope Cipriani keeps
making this kind of music since his own unique voice still shines through after
decades of marvellous scores. For a better listening experience I would
rearrange the cues and perhaps cut some of the purely string versions which aren’t
as good as the ones with finalized orchestrations.
Rating: ****
Tracklist:
1. The boy
& the lion (02:58) ****
2. The boy
& the lion (Alternative version 1) (01:19) ****
3. The boy
& the lion (Alternative version 2) (01:19) ***
4. The boy
& the lion (Alternative version 3) (01:08) *****
5. The boy
& the lion (Alternative version 4) (01:09) *****
6. The boy
& the lion (Alternative version 5) (01:37) ***
7. The boy
& the lion (Alternative version 6) (01:20) *****
8. The boy
& the lion (Alternative version 7) (01:20) ****
9. The boy
& the lion (Alternative version 8) (02:51) *****
10. The boy
& the lion (Strings version 1) (01:08) ****
11. The boy
& the lion (Strings version 2) (01:20) ****
12. The boy
& the lion (Strings version 3) (02:55) ****
13. The boy
& the lion (Strings version 4) (02:51) ***
14. The boy
& the lion (Piano version) (01:19) ****
15. Lion's waltz
(01:43) ****
16. Lion's
waltz (Alternative version 1) (00:44) ***
17. Lion's
waltz (Alternative version 2) (00:44) ****
18. Lion's
waltz (Strings version) (01:43) ****
19. Running
(02:04) *****
20. Running
(Alternative version) (02:03) ****
21. Playing
in the sun (01:11) ****
22. Playing
in the sun (Alternative version) (01:10) ***
23. Jungle
life (05:03) ****
24. Jungle
life (Alternative version) (05:02) **
25. Animal's
march (01:38) ***
26. Animal's
march (Alternative version) (01:38) ***
27. Innocent
joy (02:54) ****
28. Fear in
the jungle (01:23) ****
29. Hiding
in the jungle (01:29) ***
30. Threat
in the jungle (01:26) **
31. Goodbye
my friend (02:05) ****
32. Across
the land (03:06) *****
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